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Friday, December 28, 2007
Simple Steps to Better Guitar Tone
Great guitar tone is something that every guitarist wants. The quest for tone is one of the biggest reasons guitar players drop so much money on amplifiers and effects.
If you've found yourself spending a lot of money lately on various 'sound tweaking' gadgets, take note: the solution to your sound problems just might be closer (and cheaper) than you think!
Whether you want killer distortion or country-twang, the secret of great tone begins with a pure, clean signal.
In other words, no matter how many effects you intend to use, you've got to make sure the basic, unadulterated dry signal coming through your amp sounds just as good as anything else.
The reason for this is simple: every effect you add to that signal brings in a little bit of noise. So, you need to start with as clean a signal as possible so that the cumulative impact of noise and signal degradation from your effects is kept to a minimum.
The first step here is as easy as proper maintenance of your guitar. Not only do you need to keep your strings fresh, and your neck in alignment, you also need to eliminate any sources of buzz or hum coming from faulty cords or poor electrical wiring in your pickups or input jack.
The second step is to run the same maintenance check on your amplifier. Now, the fact is, some amps are just noisier than others. If you can find nothing physically wrong with your amp, it may just be that you need to do upgrades for better tone.
For example, your amp's factory-installed speakers are probably not top-of-the-line. In the case of tube amps, especially, this can make a HUGE difference.
Along similar lines, you might also consider upgrading your tubes and/or the transistors used in the pre-amp stage.
Why?
Because your amp's sound is greatly influenced by the way each of these components responds to the guitar signal. Cheap parts have a slower dynamic response, and can also add unwanted coloration to the signal. This is one reason why some amps will sound great at a lower volume, but start to break up and distort as soon as you turn things up.
Last, but not least, take a look at the effects pedals you currently have in your arsenal. Maybe you've purchased 2 or 3 different distortion pedals, for example, in an elusive quest for that perfect 'crunch'?
There's nothing wrong with owning multiple pedals for the same type of effect; but, if you still aren't getting the sound you desire, it could be that you need to add something very basic into the mix, like an EQ pedal.
A good EQ pedal will allow you to shape which frequencies are emphasized. You can, for example, cut the mid-range for a heavier tone, or boost the highs so that your treble notes punch through.
Try mixing and matching EQ and Volume pedals in different places along your effects chain in order to boost or limit the characteristics of other effects. You'll be amazed how many different sounds you can create with a little experimentation!
Beth Miller is an Austin, Texas based musician with fifteen-plus years experience playing the guitar. She currently runs a newsletter focused on honest, no-hype reviews of various guitar-related theory and method training products. free ebony movie
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¶ 1:31 AM 0 comments
If you've found yourself spending a lot of money lately on various 'sound tweaking' gadgets, take note: the solution to your sound problems just might be closer (and cheaper) than you think!
Whether you want killer distortion or country-twang, the secret of great tone begins with a pure, clean signal.
In other words, no matter how many effects you intend to use, you've got to make sure the basic, unadulterated dry signal coming through your amp sounds just as good as anything else.
The reason for this is simple: every effect you add to that signal brings in a little bit of noise. So, you need to start with as clean a signal as possible so that the cumulative impact of noise and signal degradation from your effects is kept to a minimum.
The first step here is as easy as proper maintenance of your guitar. Not only do you need to keep your strings fresh, and your neck in alignment, you also need to eliminate any sources of buzz or hum coming from faulty cords or poor electrical wiring in your pickups or input jack.
The second step is to run the same maintenance check on your amplifier. Now, the fact is, some amps are just noisier than others. If you can find nothing physically wrong with your amp, it may just be that you need to do upgrades for better tone.
For example, your amp's factory-installed speakers are probably not top-of-the-line. In the case of tube amps, especially, this can make a HUGE difference.
Along similar lines, you might also consider upgrading your tubes and/or the transistors used in the pre-amp stage.
Why?
Because your amp's sound is greatly influenced by the way each of these components responds to the guitar signal. Cheap parts have a slower dynamic response, and can also add unwanted coloration to the signal. This is one reason why some amps will sound great at a lower volume, but start to break up and distort as soon as you turn things up.
Last, but not least, take a look at the effects pedals you currently have in your arsenal. Maybe you've purchased 2 or 3 different distortion pedals, for example, in an elusive quest for that perfect 'crunch'?
There's nothing wrong with owning multiple pedals for the same type of effect; but, if you still aren't getting the sound you desire, it could be that you need to add something very basic into the mix, like an EQ pedal.
A good EQ pedal will allow you to shape which frequencies are emphasized. You can, for example, cut the mid-range for a heavier tone, or boost the highs so that your treble notes punch through.
Try mixing and matching EQ and Volume pedals in different places along your effects chain in order to boost or limit the characteristics of other effects. You'll be amazed how many different sounds you can create with a little experimentation!
Beth Miller is an Austin, Texas based musician with fifteen-plus years experience playing the guitar. She currently runs a newsletter focused on honest, no-hype reviews of various guitar-related theory and method training products. free ebony movie
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¶ 1:31 AM 0 comments
Myth of the Mainstream
'Mainstream' - a principal current of a river, 1667, from main (adj.) stream, hence, "prevailing direction in opinion, popular taste, etc.," a fig. use first attested in Carlyle (1831).
I propose that the concept of 'the mainstream', be it music, art, ideas, politics, entertainment and all other social constructs, is and has always been a social myth.
The key to this argument lies in the cyclical nature of the market economy, political thought, and technological advancement. For sake of simplicity, I shall concentrate solely on the development and eventual disintegration of the concept of the 'mainstream'.
What came before the MP3? The CD.
And before that? Vinyl.
And before that? Shellac and wax drums for musical boxes.
And before that? Sheet Music. Musical Scores.
As funny as it sounds now, at the very dawn of 'Popular Music' or pop, a 'Hit' technically accounted for the total sales of a sheet of music, a musical score. The expectation and reality of the market was solely reliant on availability of current technologies at the time (namely music boxes and pianos) and the musical ability of the consumer.
For the main part it was more economic to purchase an upright piano rather than a the musical box, purchasing songs for a music box was a privilege of the rich. Imagine paying $500 for an mp3 track? No one in their right mind would, yet the physical nature of such devices meant that supplying a range of music for any device would be beyond the reach of the masses. The 'Player Piano' moved things along somewhat, creating rolls of punch paper reduced the costs considerably. For many this was new technology was still out of reach of the average, or even middle income family.
For most, instead of an Ipod, there would stand, pride of place in the Sitting Room or Parlour, a basic upright piano, of which at least one member would be able to read and play music, and the others would at the very least need to hold a whole gamut of decent notes to make the performance painlessly entertaining. The more savvy music publishers (yes they were printers and nothing more), realized early on that if they wanted to increase their sales they'd need to expand their market.
A few seemingly harmless pointers to publishing a popular 'hit' led to a series of hard and fast rules that held back the creative growth of the music industry for over a century.
Family friendly. Their market was the Middle-Class Family, they had money, Sunday Evenings with little to do, a strong moral and religious upbringing and a very definite idea of what music should do.
It shouldn't offend, anyone, anywhere, anyhow. It cannot include any mention of any controversy. The melody must be light, instantly engaging and simple to follow. The whole family must be able to join in and not feel awkward or embarrassed in anyway. Basically hymns.
The market began to fracture eventually, songs for the kids, religious, risque ditties for young lovers and dirty old men, then came style... jazz, blues, big band. Finally wax rolls for musical boxes gave way to shellac and eventually Vinyl discs and as the sound quality improved, and the availability increased and prices reduced, finally those that played the piano instead of a Gramophone, were the rare exception.
The World has changed a lot since then, but as with all things fashion has a funny habit of repeating itself. More and more iPod fans and mp3 addicts are beginning to manipulate their own collections, with the development of a whole series of cheap and cheerful music mixing software releases on the way, it doesn't seem so far-fetched to imagine a time in the not so distant future where rather than the 'Mainstream' we will be talking in terms of Single Streams, or even the 'Onestream'.
In the past the more forward thinking printers and publishers of the day decided to buy music from songwriters for a pittance, sometimes even steal them outright and make all the profit for themselves. Now things are changing beyond belief.
Anyone can make music to a point with the aid of software and electronic instruments that a child could learn and play within minutes. With the increased interactivity involved in many of the new technologies, the PC being the original focal point, most consumers are no longer purely consuming, they are now producing. Be it their own Tivo TV schedule, the play list on their iPod, the answer phone message they recorded themselves. Consumption was never a creative act, but finally it seems technology is enabling individuals to come to that conclusion by themselves.
Eventually few people will purchase entertainment in any form, simply the means to produce it. As part of my Fine Arts Degree many years ago, I specialized in Photo Montage, appropriating and aggregating a variety of disparate images, and manipulating and combining them to form a new and original work. Nowadays few would ever consider going through the rigmarole of cutting and pasting printed matter when a graphics program and the Internet can provide vast more choice in subject matter and imagery.
Technology has led our actions, or rather inaction for most of the 20th Century, in the 21st we are witnessing the slow decay of Consumerism itself, and at the beginning the first change we are all both witnessing and providing, is technological manipulation of consumer goods.
As the manufacturers of multimedia devices finally catch up with demand we will witness more and more graphic and sound interactivity to the point that most products will simply enable us to create our own entertainment, as we have in histories past. The only difference is that your Bedroom DJ Mix is now heard by the world rather than an unwilling friend or family member. Local heroes and heroines will be born, down the road from my place are the band Keane, a very successful UK pop band from Battle, Sussex. Without the proliferation of social networking technologies I doubt that their meteoric rise to fame would have been as startling.
Other more stark examples are Gnarls Berkley and the Arctic Monkeys, who via the Myspace.com service have become major players in the world music scene. This isn't simply a technological change. The 'Futurism' Arts Movement at the turn of the last century was obsessed with painting fast cars and trains and planes, as much as a young boy might do these days. No one wants to draw an MP3 player, no one wants to write a poem about their Xbox. People want to 'use' them, and they do, all of them.
The idea that materialism can enable anything other than a show of wealth has changed, we no longer have toys, we have tools. Consumption is now lured by the idea of Production, the snake is eating itself.
Within your lifetime, your or someone you know will produce something remarkable, the miraculous is about to become commonplace and the 'Mainstream, obsolete.
The mainstream is diverging into a billion tributaries, the concept of popularity, and eventually mass advertising will dry up, along with monolithic centralized institutions and corporations. We as individuals are finally learning to disagree with each other, we are taking informed and personal choices in our consumption, and eventually the production of our own 'streams'. We fish for ideas, we take those ideas and create our own unique range of arts, entertainment and individual understanding of the world. And when we're bored with our own minds, we trade our goods with others, some like-minded, some not so.
Music, Art, Entertainment, conceived, designed and produced by the individual for the individual. Very much the way we began. Travelling Minstrels, visiting one village and the next, trading music, trading styles, ideas, even new technologies, but for the main part from home.
There never was a mainstream, the concept of the mainstream was conceived for the convenience of unwieldy organizations with little ability or even impetus to change. Like a vast dam, blocking and filtering the river, it is now beginning to crumble, and creative sources and flowing in from all directions, a veritable waterfall of new ideas, sounds and images are about to be born.
Paul Baines - Musician, Singer/Songwriter, Producer and sole creator of OneManBrand. UK-Based Electronica Artist offering free mp3 downloads. Visit http://OneManBrand.co.uk.free great movie sample
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¶ 1:23 AM 0 comments
I propose that the concept of 'the mainstream', be it music, art, ideas, politics, entertainment and all other social constructs, is and has always been a social myth.
The key to this argument lies in the cyclical nature of the market economy, political thought, and technological advancement. For sake of simplicity, I shall concentrate solely on the development and eventual disintegration of the concept of the 'mainstream'.
What came before the MP3? The CD.
And before that? Vinyl.
And before that? Shellac and wax drums for musical boxes.
And before that? Sheet Music. Musical Scores.
As funny as it sounds now, at the very dawn of 'Popular Music' or pop, a 'Hit' technically accounted for the total sales of a sheet of music, a musical score. The expectation and reality of the market was solely reliant on availability of current technologies at the time (namely music boxes and pianos) and the musical ability of the consumer.
For the main part it was more economic to purchase an upright piano rather than a the musical box, purchasing songs for a music box was a privilege of the rich. Imagine paying $500 for an mp3 track? No one in their right mind would, yet the physical nature of such devices meant that supplying a range of music for any device would be beyond the reach of the masses. The 'Player Piano' moved things along somewhat, creating rolls of punch paper reduced the costs considerably. For many this was new technology was still out of reach of the average, or even middle income family.
For most, instead of an Ipod, there would stand, pride of place in the Sitting Room or Parlour, a basic upright piano, of which at least one member would be able to read and play music, and the others would at the very least need to hold a whole gamut of decent notes to make the performance painlessly entertaining. The more savvy music publishers (yes they were printers and nothing more), realized early on that if they wanted to increase their sales they'd need to expand their market.
A few seemingly harmless pointers to publishing a popular 'hit' led to a series of hard and fast rules that held back the creative growth of the music industry for over a century.
Family friendly. Their market was the Middle-Class Family, they had money, Sunday Evenings with little to do, a strong moral and religious upbringing and a very definite idea of what music should do.
It shouldn't offend, anyone, anywhere, anyhow. It cannot include any mention of any controversy. The melody must be light, instantly engaging and simple to follow. The whole family must be able to join in and not feel awkward or embarrassed in anyway. Basically hymns.
The market began to fracture eventually, songs for the kids, religious, risque ditties for young lovers and dirty old men, then came style... jazz, blues, big band. Finally wax rolls for musical boxes gave way to shellac and eventually Vinyl discs and as the sound quality improved, and the availability increased and prices reduced, finally those that played the piano instead of a Gramophone, were the rare exception.
The World has changed a lot since then, but as with all things fashion has a funny habit of repeating itself. More and more iPod fans and mp3 addicts are beginning to manipulate their own collections, with the development of a whole series of cheap and cheerful music mixing software releases on the way, it doesn't seem so far-fetched to imagine a time in the not so distant future where rather than the 'Mainstream' we will be talking in terms of Single Streams, or even the 'Onestream'.
In the past the more forward thinking printers and publishers of the day decided to buy music from songwriters for a pittance, sometimes even steal them outright and make all the profit for themselves. Now things are changing beyond belief.
Anyone can make music to a point with the aid of software and electronic instruments that a child could learn and play within minutes. With the increased interactivity involved in many of the new technologies, the PC being the original focal point, most consumers are no longer purely consuming, they are now producing. Be it their own Tivo TV schedule, the play list on their iPod, the answer phone message they recorded themselves. Consumption was never a creative act, but finally it seems technology is enabling individuals to come to that conclusion by themselves.
Eventually few people will purchase entertainment in any form, simply the means to produce it. As part of my Fine Arts Degree many years ago, I specialized in Photo Montage, appropriating and aggregating a variety of disparate images, and manipulating and combining them to form a new and original work. Nowadays few would ever consider going through the rigmarole of cutting and pasting printed matter when a graphics program and the Internet can provide vast more choice in subject matter and imagery.
Technology has led our actions, or rather inaction for most of the 20th Century, in the 21st we are witnessing the slow decay of Consumerism itself, and at the beginning the first change we are all both witnessing and providing, is technological manipulation of consumer goods.
As the manufacturers of multimedia devices finally catch up with demand we will witness more and more graphic and sound interactivity to the point that most products will simply enable us to create our own entertainment, as we have in histories past. The only difference is that your Bedroom DJ Mix is now heard by the world rather than an unwilling friend or family member. Local heroes and heroines will be born, down the road from my place are the band Keane, a very successful UK pop band from Battle, Sussex. Without the proliferation of social networking technologies I doubt that their meteoric rise to fame would have been as startling.
Other more stark examples are Gnarls Berkley and the Arctic Monkeys, who via the Myspace.com service have become major players in the world music scene. This isn't simply a technological change. The 'Futurism' Arts Movement at the turn of the last century was obsessed with painting fast cars and trains and planes, as much as a young boy might do these days. No one wants to draw an MP3 player, no one wants to write a poem about their Xbox. People want to 'use' them, and they do, all of them.
The idea that materialism can enable anything other than a show of wealth has changed, we no longer have toys, we have tools. Consumption is now lured by the idea of Production, the snake is eating itself.
Within your lifetime, your or someone you know will produce something remarkable, the miraculous is about to become commonplace and the 'Mainstream, obsolete.
The mainstream is diverging into a billion tributaries, the concept of popularity, and eventually mass advertising will dry up, along with monolithic centralized institutions and corporations. We as individuals are finally learning to disagree with each other, we are taking informed and personal choices in our consumption, and eventually the production of our own 'streams'. We fish for ideas, we take those ideas and create our own unique range of arts, entertainment and individual understanding of the world. And when we're bored with our own minds, we trade our goods with others, some like-minded, some not so.
Music, Art, Entertainment, conceived, designed and produced by the individual for the individual. Very much the way we began. Travelling Minstrels, visiting one village and the next, trading music, trading styles, ideas, even new technologies, but for the main part from home.
There never was a mainstream, the concept of the mainstream was conceived for the convenience of unwieldy organizations with little ability or even impetus to change. Like a vast dam, blocking and filtering the river, it is now beginning to crumble, and creative sources and flowing in from all directions, a veritable waterfall of new ideas, sounds and images are about to be born.
Paul Baines - Musician, Singer/Songwriter, Producer and sole creator of OneManBrand. UK-Based Electronica Artist offering free mp3 downloads. Visit http://OneManBrand.co.uk.free great movie sample
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¶ 1:23 AM 0 comments
Cranking the Volume on Your iPod or MP3 Player Can Damage Hearing
Kids have always loved listening to their favorite music, and the louder the better much to their parents dismay. In the 1980s, the portable tape recorder with headphones which came to be known as the Walkman enabled teenagers to listen to their music as loud as they wanted, anywhere they wanted, without disturbing anyone around them.
But the more modern rendition of the Walkman portable MP3 Players and iPods pose a major threat to our childrens hearing health, and to ours.
The problem is a combination of the technology of portable digital devices that creates a non-buffered crystal clear sound, and the type of headphones typically used with them, which do not have a buffer either. In December 2005, Dean Garstecki, an audiologist and professor at Northwestern University reported that more and more young people were being diagnosed with the types of hearing loss typically found in older adults. He attributed this trend to the earbud type headphones that usually accompany iPod and MP3 Players.
With the earbud headphones, the sound frequencies are not buffered as they are with the more traditional, ear cup-style headsets. Newsweek Magazine recently reported that researchers at the House Ear Institute found that listeners can unfortunately increase the volume of todays portable digital devices without the signal distortion that occurs with traditional analog audio. The older-model headphones that were popular just 15 to 20 years ago that have ear cups outside of the ears had that distortion when the volume was turned up, which functioned as a much-needed buffer to protect our hearing. Todays technology does not provide that buffer the earpiece is placed in the ear, not outside of it, and the digital devices do not create that distortion, no matter how high the volume.
In addition, people often listen to these devices while they are on the go, and have a tendency to crank the volume in an attempt to drown outside noise, further posing a risk to our hearing. Using the earbud style headphones during activities such as exercise, for example, puts the user at a greater risk. During exercise, blood, which can act as a buffer, is diverted from the ears to other parts of the body so our already vulnerable hearing is in even more jeopardy.
Headwize reports that a study conducted on music listeners using headphones revealed that while indoors with no background noise, the participants were comfortable with their music at 69 decibels. Outdoors, where the background noise was recorded at 65 decibels, participants using their headphones turned the volume up to 82 decibels and as high as 95 decibels to drown out the surrounding noise. The Occupational Safety and Health Administration guidelines limit exposure to noise at this level to no more than four hours each day. The study concluded that the participants were at risk for hearing damage and recommended avoiding continuous use of [portable stereos] in noisy conditions.
Northwestern Universitys Dean Garstecki offers more specific guidelines: His 60 percent/60 minute rule listen to MP3 Players and iPods for about an hour a day and at levels below 60 percent of maximum volume. The problem is, most of the population using headphones young music fans listen to their music for much longer than one hour per day. But, you can help minimize hearing loss, damage and problems while listening to your favorite music as long as you want to the secret is in the headphones.
Headphones such as the EX29 Extreme Isolation Noise Reduction Headphones help block out external noise allowing you to hear the fine details of your music without blowing out your ear drums. The ear cup fits over the ear, and not in it, and the headphones are lightweight, dont require batteries and can be used with your MP3 Player or iPod. With 29 decibels of isolation from outside sound, the quiet headphones block outside noise and there is no need to crank the volume of your music.
Aging rock stars like the Whos Pete Townsend, who has some permanent hearing loss from years of exposure to loud music, and Mick Fleetwood, who has teamed up with Energizer batteries to promote hearing loss prevention, have brought public attention to the fact that many of us take our hearing for granted. But theres no need to turn off your music just be smarter about how you listen to it. If you are using your MP3 Player or iPod when youre exercising, in a noisy environment or you just want to hear the fine details of your music, ditch the earbud headphones and reach for a set of noise reduction ones instead. And youll be enjoying your favorite music for a long time to come.
Lee Blue is a musician, composer, and home studio recording artist. He uses Extreme Isolation headphones in his recording studio and his office to block out noise and distractions. Learn more at http://www.quietheadphones.com/.calgary movie showtimes
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But the more modern rendition of the Walkman portable MP3 Players and iPods pose a major threat to our childrens hearing health, and to ours.
The problem is a combination of the technology of portable digital devices that creates a non-buffered crystal clear sound, and the type of headphones typically used with them, which do not have a buffer either. In December 2005, Dean Garstecki, an audiologist and professor at Northwestern University reported that more and more young people were being diagnosed with the types of hearing loss typically found in older adults. He attributed this trend to the earbud type headphones that usually accompany iPod and MP3 Players.
With the earbud headphones, the sound frequencies are not buffered as they are with the more traditional, ear cup-style headsets. Newsweek Magazine recently reported that researchers at the House Ear Institute found that listeners can unfortunately increase the volume of todays portable digital devices without the signal distortion that occurs with traditional analog audio. The older-model headphones that were popular just 15 to 20 years ago that have ear cups outside of the ears had that distortion when the volume was turned up, which functioned as a much-needed buffer to protect our hearing. Todays technology does not provide that buffer the earpiece is placed in the ear, not outside of it, and the digital devices do not create that distortion, no matter how high the volume.
In addition, people often listen to these devices while they are on the go, and have a tendency to crank the volume in an attempt to drown outside noise, further posing a risk to our hearing. Using the earbud style headphones during activities such as exercise, for example, puts the user at a greater risk. During exercise, blood, which can act as a buffer, is diverted from the ears to other parts of the body so our already vulnerable hearing is in even more jeopardy.
Headwize reports that a study conducted on music listeners using headphones revealed that while indoors with no background noise, the participants were comfortable with their music at 69 decibels. Outdoors, where the background noise was recorded at 65 decibels, participants using their headphones turned the volume up to 82 decibels and as high as 95 decibels to drown out the surrounding noise. The Occupational Safety and Health Administration guidelines limit exposure to noise at this level to no more than four hours each day. The study concluded that the participants were at risk for hearing damage and recommended avoiding continuous use of [portable stereos] in noisy conditions.
Northwestern Universitys Dean Garstecki offers more specific guidelines: His 60 percent/60 minute rule listen to MP3 Players and iPods for about an hour a day and at levels below 60 percent of maximum volume. The problem is, most of the population using headphones young music fans listen to their music for much longer than one hour per day. But, you can help minimize hearing loss, damage and problems while listening to your favorite music as long as you want to the secret is in the headphones.
Headphones such as the EX29 Extreme Isolation Noise Reduction Headphones help block out external noise allowing you to hear the fine details of your music without blowing out your ear drums. The ear cup fits over the ear, and not in it, and the headphones are lightweight, dont require batteries and can be used with your MP3 Player or iPod. With 29 decibels of isolation from outside sound, the quiet headphones block outside noise and there is no need to crank the volume of your music.
Aging rock stars like the Whos Pete Townsend, who has some permanent hearing loss from years of exposure to loud music, and Mick Fleetwood, who has teamed up with Energizer batteries to promote hearing loss prevention, have brought public attention to the fact that many of us take our hearing for granted. But theres no need to turn off your music just be smarter about how you listen to it. If you are using your MP3 Player or iPod when youre exercising, in a noisy environment or you just want to hear the fine details of your music, ditch the earbud headphones and reach for a set of noise reduction ones instead. And youll be enjoying your favorite music for a long time to come.
Lee Blue is a musician, composer, and home studio recording artist. He uses Extreme Isolation headphones in his recording studio and his office to block out noise and distractions. Learn more at http://www.quietheadphones.com/.calgary movie showtimes
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¶ 1:14 AM 0 comments
